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從第36屆香港書展看風向:香港孩子的中文閲讀,正在悄悄變天Reading the Wind at the 36th Hong Kong Book Fair: Chinese Reading for Hong Kong Children Is Quietly Changing

從展場新勢到名家灼見,從分級書單到精讀指南,一次看清香港中文閲讀的新方向。New currents on the exhibition floor, insights from leading writers, a graded reading list and a guide to close reading — a single view of where Chinese reading in Hong Kong is heading.

This article was originally written in Traditional Chinese. The English translation is provided for reference only.

期7天的第36屆香港書展剛剛落下帷幕,作為全港年度文化盛事,今年書展吸引近百萬讀者入場,其中兒童及青少年讀物展區始終是人氣最高的區域之一。The seven-day 36th Hong Kong Book Fair has just closed. As the city's cultural event of the year it drew close to a million visitors, and the children's and young adult section was, as always, among the busiest areas on the floor.

我們逛展時發現,香港家長的購書邏輯正在發生明顯變化:不再只盯着補充練習、真題集,而是更願意為「真正的閲讀」買單。結合現場熱銷趨勢、名家講座觀點,以及香港中文課程的改革方向,我們整理出今年最值得關注的三個閲讀新趨勢,以及適配全學段的暑期名著書單,家長可以直接參考。Walking the fair, we noticed a clear shift in how Hong Kong parents buy books. They are no longer fixed on supplementary exercises and past-paper collections; they are now willing to pay for real reading. Drawing on what was selling well at the fair, the views expressed in the author talks and the direction of curriculum reform in Chinese, we have set out the three reading trends most worth watching this year, along with a summer classics list covering every stage of school that parents can use as it stands.

中文閲讀新信號New Signals in Chinese Reading

本土文學從「小眾」變「熱門」Local Literature Moves from Niche to Mainstream

今年書展上,香港本土作家的作品銷量同比顯著上漲,葛亮、也斯等作家的文集多次登上連鎖書店的暢銷榜。Sales of works by Hong Kong writers rose sharply year on year at this year's fair, with collections by Ge Liang (葛亮), Ye Si (也斯) and others appearing repeatedly on the bestseller lists of the chain bookshops.

這一趨勢並非偶然:2026年DSE中文科閲讀卷,首次選用香港作家葛亮的作品作為考核文本,已經釋放出明確的命題信號——本土文學、在地文化的佔比正在提升。過去很多家長、學生只關注內地名家作品,如今本土文本的閲讀積累,已經成為中文備考不可缺少的一環。The trend is no accident. The 2026 DSE Chinese Language reading paper used a work by the Hong Kong writer Ge Liang as an examination text for the first time, a clear signal about where the setters are heading: local literature and local culture are taking up more of the space. Where many parents and students once looked only to well-known mainland authors, a store of reading in Hong Kong texts has now become an indispensable part of preparing for the Chinese exam.

經典古籍走出「高冷」,走向年輕化The Classics Come Down from Their Pedestal

今年書展的另一大亮點,是繁體版《問鼎:山海經》的首發儀式,配套的公益講座場場滿座,不少家長帶着小學高年級、初中的孩子專程到場。Another highlight of this year's fair was the launch of the traditional-character edition of Wending: The Classic of Mountains and Seas (《問鼎:山海經》). The free public talks that went with it played to full houses, with many parents bringing upper-primary and junior-secondary children specially.

這套書把上古神話、地理博物知識,搭配國風插畫和通俗講解,打破了「古籍晦澀難懂」的刻板印象。事實上,香港教育局近年一直在推動中華文化經典進校園,小學階段就納入了文言經典啓蒙篇目,這類輕量化的經典讀物,正好適配孩子的入門需求。官方也宣佈,這套書後續會推進「進校園」公益項目,成為不少學校中華文化課的補充素材。The series pairs ancient myth and knowledge of geography and natural history with illustration in a traditional Chinese style and plain-language commentary, breaking the stereotype that old texts are impenetrable. In fact the Education Bureau has for some years been bringing the Chinese classics into schools, with introductory classical-Chinese texts already set at primary level; lighter classic readers of this kind fit a beginner's needs exactly. The publishers have announced that the series will move into a schools outreach programme, becoming supplementary material for Chinese culture lessons in a number of schools.

跨學科閲讀成家長「新寵」Cross-Disciplinary Reading Becomes the Parents' New Favourite

逛展時能明顯感受到,單一的故事書已經滿足不了家長的需求,「中文+科普」「中文+歷史」「中文+非遺」的跨學科讀物銷量持續走高。It was obvious on the floor that plain storybooks no longer meet parents' needs. Sales keep rising for cross-disciplinary titles that pair Chinese with popular science, with history, or with intangible cultural heritage.

這背後對應着香港中文課程的核心改革方向:從「純語文知識」轉向「素養導向」,閲讀不再只是認字、理解文意,更是拓展認知、培養思辨能力的載體。今年書展的「兒童及青年閲讀系列」講座中,也多次提到跨學科閲讀對孩子中文綜合能力的提升作用。Behind this lies the central direction of curriculum reform in Hong Kong Chinese: a move from pure language knowledge towards literacy and competence. Reading is no longer only about recognising characters and grasping meaning; it is a vehicle for broadening understanding and developing critical thought. The fair's Children's and Youth Reading talks made the point more than once — cross-disciplinary reading lifts a child's overall command of Chinese.

書展名家講座The Author Talks

劉震雲:好寫作,藏在日常的細節裏Liu Zhenyun: Good Writing Hides in Everyday Detail

茅盾文學獎得主劉震雲帶來《什麼樣的故事適合文學》主題分享。他提出,寫作的核心不是編造離奇情節,而是從日常生活的表層,挖掘到人性的多層灰度,真正有力量的文字都紮根於真實的生活觀察。Liu Zhenyun, winner of the Mao Dun Literature Prize, spoke on the theme 'What Kind of Story Suits Literature'. The heart of writing, he argued, is not inventing outlandish plots but digging beneath the surface of ordinary life to the many shades of grey in human nature. Writing with genuine force is always rooted in real observation of life.

對應到中小學中文寫作,恰恰呼應了近年DSE寫作題的生活化趨勢——不再考宏大命題,而是從校園、飲食、城市日常切入,真正考驗學生對生活的觀察與思考深度。For Chinese writing at primary and secondary level this chimes exactly with the everyday turn in recent DSE composition questions. Grand abstract topics have given way to prompts drawn from school life, food and the daily texture of the city — a real test of how closely and how deeply a student observes and thinks about the life around them.

蘇童、畢飛宇:讀小説,要走進文字的背面Su Tong and Bi Feiyu: Read a Novel from Behind the Words

蘇童以「生活與創作」為題開講,7月19日畢飛宇分享小説創作的內核。兩位作家不約而同提到:閲讀不是「看完故事劇情」就結束,而是要讀懂人物行為背後的動機,體會文字留白處的情感與深意。Su Tong spoke on 'Life and Writing', and on 19 July Bi Feiyu discussed what lies at the core of writing fiction. Both made the same point without prompting: reading does not end when you have followed the plot. You have to understand the motives behind what the characters do, and feel the emotion and meaning held in what the text leaves unsaid.

這剛好擊中很多孩子的閲讀痛點:能完整複述情節,卻答不出文本主旨、分析不了人物形象。而這正是DSE閲讀卷的核心考點——文本細讀與深度賞析能力,無法靠刷題速成,需要長期的精讀訓練才能養成。That is precisely where many children come unstuck: they can retell the plot in full but cannot state the theme or analyse a character. And it is exactly what the DSE reading paper tests — close reading and the ability to appreciate a text in depth, which cannot be crammed by grinding through past papers and can only be built by sustained practice in reading closely.

許子東 × 黃子平:讀寫從來是一體的Xu Zidong and Huang Ziping: Reading and Writing Were Never Two Things

許子東與黃子平的對談「書生之見與學者之思」,聚焦中文書寫與口語表達的深層關聯。他們提出,好的閲讀最終會轉化為表達能力,而帶着寫作目的去讀書,對文本的理解會更深刻、更落地。The conversation between Xu Zidong and Huang Ziping, 'A Reader's View and a Scholar's Thinking', focused on the deep connection between written Chinese and spoken expression. Good reading, they suggested, eventually converts into the ability to express oneself; and reading with a writing purpose in mind produces a deeper, more concrete understanding of the text.

這也給家長提了醒:中文學習不要把「讀」和「寫」拆成兩件事,泛讀積累語感,精讀訓練分析,再結合寫作輸出,才能形成完整的能力閉環。There is a reminder here for parents: do not treat reading and writing as two separate subjects. Wide reading builds a feel for the language, close reading trains analysis, and writing turns both into output. Only together do they close the loop.

此外,本屆書展首次重點呈現「AI+閲讀」的互動形式,多處設置AI閲讀互動裝置。業內普遍共識是:AI時代,碎片化信息獲取越容易,深度閲讀、獨立思考的能力就越珍貴,這也正是中文教育的核心價值所在。The fair also gave prominence for the first time to 'AI plus reading', with interactive AI reading installations in several locations. The consensus in the trade is that the easier it becomes to pick up fragments of information in the age of AI, the more valuable deep reading and independent thought become — and that is precisely where the core value of Chinese education lies.

經典名著書單:適配香港中小學生A Classics Reading List for Hong Kong Primary and Secondary Students

結合教育局中文課程建議篇章、DSE考核方向,以及本次書展的熱銷趨勢,我們整理了分學段的經典名著書單,兼顧興趣培養和應試需求,家長可以按需選擇。Drawing on the Education Bureau's recommended Chinese texts, the direction of DSE assessment and what sold well at this year's fair, we have put together a stage-by-stage list of classics that balances building interest against exam needs. Parents can choose according to what they need.

書單分為兩個學段:小學階段重在培養興趣、打好基礎;中學階段則着重拓展深度、提升素養。The list is divided into two stages. At primary level the aim is to build interest and lay foundations; at secondary level, to extend depth and raise overall literacy.

看完這份分學段書單,不少家長或許會有疑問:經典作品雖好,但孩子自主閲讀往往只看劇情,抓不住文本核心,找不到完全貼合香港中文課程框架、適配DSE命題邏輯的閲讀材料。Looking at a list like this, many parents will still have a question. The classics are all very well, but when children read on their own they tend to follow only the plot and miss the heart of the text — and it is hard to find reading material that fits the Hong Kong Chinese curriculum framework and the logic of DSE question-setting exactly.

結合今年書展凸顯的「經典年輕化、本土受重視、素養導向」三大閲讀趨勢,以及我們深耕香港中文教育多年的教學經驗,本校自研出版的《漢源閲讀精選》,是為香港中小學生量身打造的系統化中文精讀方案。暑期搭配上面的名著書單使用,既能通過泛讀培養閲讀興趣、拓展閲讀量,也能紮實提升中文核心能力。Bringing together the three trends the fair made visible — classics made accessible to the young, local writing taken seriously, and a focus on literacy rather than rote knowledge — and our own years of teaching Chinese in Hong Kong, we have developed and published Han Yuan Selected Readings (《漢源閲讀精選》), a systematic close-reading programme built specifically for Hong Kong primary and secondary students. Used over the summer alongside the classics list above, wide reading builds interest and volume while close reading gives the core Chinese skills a solid lift.

給家長們的建議Advice for Parents

不求「多」,但求「完」Not More Books, but Finished Books

暑期不用給孩子囤幾十本書,不如精選3-5本,陪着孩子完整讀完,一起討論書中的內容。完整讀完一本書的成就感,遠勝過翻了十本都沒看完。There is no need to stockpile dozens of books for the summer. Choose three to five carefully instead, read them right through with your child, and talk about what is in them together. The satisfaction of finishing one book counts for far more than dipping into ten and finishing none.

嘗試「多模態閲讀」Try Multimodal Reading

就像書展傳遞的理念一樣,閲讀不只是看書。讀完《山海經》可以去香港故宮文化博物館看相關展覽,讀完本土文學可以去書中提到的街區走一走,把文字和實景結合,理解會更深刻。As the fair itself suggested, reading is not only about books. After The Classic of Mountains and Seas, take your child to a related exhibition at the Hong Kong Palace Museum; after a work of Hong Kong fiction, walk the streets it describes. Setting the words beside the real place deepens understanding.

別讓閲讀變成「任務」Don't Let Reading Become a Chore

不要強迫孩子寫長篇讀後感、做閲讀題,不然很容易打消閲讀興趣。可以試試輕鬆的方式:比如吃飯時聊聊書中的人物,或者讓孩子給你講一講書中的故事,先培養興趣,再談能力提升。Don't force long book reports or comprehension exercises on a child; that is the quickest way to put them off reading altogether. Try something lighter: chat about the characters over dinner, or ask your child to tell you the story. Build the interest first, and worry about skills afterwards.

結語In closing

每年的香港書展,都像是一面鏡子,照見當下的閲讀趨勢,也指引着中文學習的方向。閲讀從來不是一蹴而就的事,趁這個暑假,和孩子一起翻開一本書,在文字裏慢慢積累,悄悄成長。Every year the Hong Kong Book Fair works like a mirror, reflecting where reading is going and pointing the way for Chinese learning. Reading has never been something achieved at a stroke. Take this summer to open a book with your child, and let them build up slowly, quietly, inside the words.

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