核心展覽|重構認知的藝術衝擊The major exhibitions: art that rearranges how you see
巴塞爾藝術展香港展會2025(Art Basel Hong Kong 2025)Art Basel Hong Kong 2025
2025年巴塞爾藝術展香港展會將匯聚來自42個國家和地區的藝廊,呈獻多元化的藝術實踐,彰顯展會對全球多樣性和區域代表性的承諾。超過半數的參展藝廊來自亞太地區,突顯了巴塞爾藝術展作為地區蓬勃發展的藝術舞台的重要作用。Art Basel Hong Kong 2025 brings together galleries from 42 countries and territories, presenting a wide range of artistic practice and underlining the fair’s commitment to global diversity and regional representation. More than half of the exhibiting galleries come from the Asia-Pacific, a reminder of the fair’s importance as a stage for this fast-growing regional art scene.
展覽訊息|InfoExhibition information
時間:2025年3月28日至30日(預展日:3月26日和27日);地點:香港灣仔會議展覽中心(HKCEC)。Dates: 28 to 30 March 2025 (preview days 26 and 27 March). Venue: Hong Kong Convention and Exhibition Centre, Wan Chai.
亮點:感受全球當代藝術的多樣性與區域藝術的深度交融。展會致力於展示來自世界各地的當代藝術作品,同時強調亞太地區藝術的獨特視角,呈現現代藝術巨匠與亞洲新銳藝術家的跨文化對話。The draw: the diversity of contemporary art worldwide, closely interwoven with the art of this region. The fair sets out to show contemporary work from around the globe while foregrounding the distinctive perspectives of the Asia-Pacific, staging a cross-cultural dialogue between modern masters and emerging Asian artists.
Art Central 2025Art Central 2025
作為巴塞爾藝術展的姊妹展,Art Central將展出來自40多個國家的500多位藝術家的作品,涵蓋裝置藝術、影像藝術和現場表演。今年新增的「講述表演」展區將為觀眾帶來全新的藝術體驗。Art Basel’s sister fair, Art Central, shows work by more than 500 artists from over 40 countries, spanning installation, moving image and live performance. A new sector this year, Narrative Performance (「講述表演」), promises visitors something different again.
展覽訊息|InfoExhibition information
時間:2025年3月26日至30日;地點:香港中環海濱活動空間(Central Harbourfront Event Space)。Dates: 26 to 30 March 2025. Venue: Central Harbourfront Event Space, Hong Kong.
特別展區:「講述表演」展區以現場表演為核心,探索藝術與觀眾互動的新方式;「影像藝術」展區展示國際藝術家的短片與實驗影像作品。Special sectors: Narrative Performance puts live performance at its centre and explores new ways for art and audience to interact; the Moving Image sector shows short films and experimental video by international artists.
建築設計:展會場地採用標誌性的帳篷結構,結合維多利亞港的美景,營造獨特的藝術氛圍。Architecture: the fair’s signature tented structure, set against the views of Victoria Harbour, creates an atmosphere all its own.
藝術體驗:提供導覽、藝術家對話、工作坊等互動活動,讓觀眾深入了解藝術創作背後的故事。Experiences: guided tours, artist talks, workshops and other interactive events give visitors a closer look at the stories behind the work.
展覽訊息|InfoExhibition information
時間:2025年3月15日至7月13日;地點:香港西九文化區M+博物館二樓西展廳。Dates: 15 March to 13 July 2025. Venue: West Gallery, Level 2, M+, West Kowloon Cultural District, Hong Kong.
跨文化對話:畢加索的作品與亞洲藝術家的創作並置展出,呈現東西方藝術的碰撞與融合。Cross-cultural dialogue: Picasso’s works are hung alongside those of Asian artists, showing where Eastern and Western art collide and where they merge.
經典作品:《雜技演員》(1930)、《海邊的人像》(1931)、《多拉·瑪爾肖像》(1937)。Key works: Acrobat (1930), Figures by the Sea (1931) and Portrait of Dora Maar (1937).
亞洲藝術家作品:展出M+館藏中來自亞洲及海外亞洲藝術家的作品,如陳福善、顧德新、田名網敬一等。Asian artists: works from the M+ collection by artists from Asia and the Asian diaspora, among them Luis Chan, Gu Dexin and Keiichi Tanaami.
特別策展:展覽分為四大主題——天才、局外人、魔法師與學徒,深入探討畢加索的藝術身份與影響力。Curatorial approach: the exhibition is organised around four themes — genius, outsider, magician and apprentice — examining Picasso’s artistic identity and his influence in depth.
香港,這座東西方文化交匯的「超級城市」,始終是全球藝術生態的核心節點。2025年的春天,香港再次以驚人的密度和多樣性,匯聚全球頂尖藝術力量。在這裏,讓我們一起領略中西方文化交融的魅力,一起感受時間與空間的永恆之美。Hong Kong, the super-city where the cultures of East and West meet, has always been a central node in the global art ecology. In the spring of 2025 it once again gathers the world’s leading artistic forces with astonishing density and variety. Come and take in the appeal of Chinese and Western cultures meeting — and the enduring beauty of time and space.
藝在漢源|文學藝術不分家Art at Han Yuan: literature and art belong together
作為走在香港前沿的專業中文教育機構,漢源的文藝氣質自不待言。尤為值得一提的是學校的戲劇教學。該系列課程不僅是對經典的解讀,更鼓勵學生進行劇本創作。內容囊括中外名著題材,為對藝術、對戲劇感興趣的學生提供創作平台,激發靈感源泉。As a specialist Chinese-language education centre working at the forefront of the field in Hong Kong, Han Yuan has a literary and artistic character that hardly needs stating. Our drama teaching is a case in point. This series of courses is not simply about interpreting classic texts: students are encouraged to write scripts of their own. Drawing on both Chinese and Western literature, it gives students with an interest in art and theatre a platform for their own writing and a source of inspiration.
戲劇教學・恆常班Drama teaching: regular classes
《玩偶之家》A Doll’s House
《玩偶之家》是挪威戲劇家亨利克·易卜生創作的戲劇作品。該戲劇是一部典型的社會問題劇,主要圍繞過去被寵的女主人公娜拉的覺醒展開,最後以娜拉的出走結束全劇。A Doll’s House is a play by the Norwegian dramatist Henrik Ibsen. A classic problem play, it turns on the awakening of its heroine Nora, a woman who has always been indulged, and closes with her walking out of the family home.
學生在研讀劇本後,對劇中人物情節有深刻了解,老師將會引導學生進行《娜拉出走》後的劇本續寫。事實上,隨着時代變遷,對劇本中的人物的評價或結局,每個人的看法都有所不同。學生可以發散思維,頭腦風暴,續寫不一樣的結局。Once students have studied the script and understand its characters and plot in depth, the teacher guides them in writing a continuation of the story after Nora leaves. As times change, readers judge the characters and their fates differently, and students are free to think laterally, brainstorm, and write an ending of their own.
《雷雨》Thunderstorm
《雷雨》是中國現代劇作家曹禺的處女作,其背景是民國時期的天津。《雷雨》已於2025年3月登陸香港,在文藝界引起了巨大反響。Thunderstorm was the first play written by the modern Chinese dramatist Cao Yu, set in Tianjin during the Republican era. It came to Hong Kong in March 2025 and made a considerable impression on the arts scene here.
學生將深刻掌握全劇梗概,深入剖析人物間的關係與性格特徵,並加深對劇本設計的理解;亦能條理清晰地分析劇中環境、道具及矛盾衝突的表現與作用。Students come away with a firm grasp of the whole plot, a close reading of the relationships and personalities in it, and a better understanding of how a script is constructed; they also learn to set out clearly how setting, props and dramatic conflict work and what they are for.
戲劇教學・暑期班Drama teaching: summer classes
三打白骨精Three Strikes Against the White Bone Demon
《西遊記》作為中國四大名著之一,無論是電影還是動漫,都反覆被搬上熒幕,供觀眾們欣賞。Journey to the West (《西遊記》), one of the four great classical Chinese novels, has been brought to the screen again and again in film and animation.
暑期課程中這一劇本寫作吸引了眾多學生目光。大家對三打白骨精這一情節印象深刻,紛紛化身小編劇,理清框架,精進台詞,豐富舞台說明。種種操作之後,屬於學生的獨一無二的劇本便躍然紙上。This scriptwriting unit is a great favourite in the summer programme. The episode of the three strikes against the White Bone Demon stays with students, and they all turn playwright — sorting out the structure, sharpening the dialogue, filling in the stage directions. After all that work, a script that is entirely their own takes shape on the page.