你好,歡迎來到漢源教育中心Welcome to Han Yuan Education Center
+852 2572 7211 中小學P&S +852 2910 1331 幼兒KG
漢源 Han Yuan 漢源教育中心 Han Yuan Education Center 課程報名Enroll Now
老師專欄Teachers' Column

時空摺疊・藝術共生:2025香港三月藝術季全景指南Folded Time, Shared Art: A Complete Guide to Hong Kong’s March 2025 Art Season

從巴塞爾藝術展到M+,三月的香港把全球藝術能量壓縮進一座城市。From Art Basel to M+, March compresses the energy of the whole art world into a single city.

This article was originally written in Traditional Chinese. The English translation is provided for reference only.

香港:一場流動的全球藝術盛宴Hong Kong: a moveable feast for the art world

三月的維多利亞港吹來濕潤的風,裹挾着全球藝術界的躁動與期待。香港——這座東方與西方、傳統與先鋒交織的「文化熔爐」,正以它獨有的城市節奏,鋪陳開一場跨越時空的藝術對話。從巴塞爾藝術展的全球聚光燈,到本土畫廊的在地實驗;從百年歷史建築中的先鋒裝置,到維港天際線下的數字藝術狂歡,香港用密度驚人的展覽與活動,詮釋着何謂「國際藝術樞紐」。在這裏,藝術不僅是觀看的對象,更是呼吸的空氣、流動的血液,是城市基因中不可剝離的璀璨切片。In March a damp wind blows in off Victoria Harbour, carrying with it the restlessness and anticipation of the international art world. Hong Kong — the cultural melting pot where East meets West and tradition meets the avant-garde — is laying out a conversation in art that crosses both time and space, and doing it to its own urban rhythm. From the global spotlight of Art Basel to the local experiments of neighbourhood galleries; from avant-garde installations inside century-old buildings to digital art beneath the harbour skyline, the sheer density of exhibitions and events is what makes Hong Kong an international art hub. Here, art is not only something to look at. It is the air the city breathes, the blood in its veins, a bright and inseparable part of its genetic make-up.

核心展覽|重構認知的藝術衝擊The major exhibitions: art that rearranges how you see

巴塞爾藝術展香港展會2025(Art Basel Hong Kong 2025)Art Basel Hong Kong 2025

2025年巴塞爾藝術展香港展會將匯聚來自42個國家和地區的藝廊,呈獻多元化的藝術實踐,彰顯展會對全球多樣性和區域代表性的承諾。超過半數的參展藝廊來自亞太地區,突顯了巴塞爾藝術展作為地區蓬勃發展的藝術舞台的重要作用。Art Basel Hong Kong 2025 brings together galleries from 42 countries and territories, presenting a wide range of artistic practice and underlining the fair’s commitment to global diversity and regional representation. More than half of the exhibiting galleries come from the Asia-Pacific, a reminder of the fair’s importance as a stage for this fast-growing regional art scene.

展覽訊息|InfoExhibition information

時間:2025年3月28日至30日(預展日:3月26日和27日);地點:香港灣仔會議展覽中心(HKCEC)。Dates: 28 to 30 March 2025 (preview days 26 and 27 March). Venue: Hong Kong Convention and Exhibition Centre, Wan Chai.

亮點:感受全球當代藝術的多樣性與區域藝術的深度交融。展會致力於展示來自世界各地的當代藝術作品,同時強調亞太地區藝術的獨特視角,呈現現代藝術巨匠與亞洲新銳藝術家的跨文化對話。The draw: the diversity of contemporary art worldwide, closely interwoven with the art of this region. The fair sets out to show contemporary work from around the globe while foregrounding the distinctive perspectives of the Asia-Pacific, staging a cross-cultural dialogue between modern masters and emerging Asian artists.

同期活動|EncountersEvents around the fair

藝術派對:開幕之夜(3月27日)匯聚藝術家、收藏家和業內人士的社交盛會。Parties: opening night on 27 March, a social occasion that gathers artists, collectors and the trade.

藝術對話:由國際藝術家和策展人主持的講座和論壇,探討當代藝術的趨勢與未來。Talks: lectures and panels led by international artists and curators on where contemporary art is heading.

公共項目:由Para Site策劃的電影項目,展示30位藝術家的作品;以及與大館(Tai Kwun)合作的離線展覽和文化活動。Public programme: a film project curated by Para Site featuring the work of 30 artists, plus off-site exhibitions and cultural events run in partnership with Tai Kwun.

Art Central 2025Art Central 2025

作為巴塞爾藝術展的姊妹展,Art Central將展出來自40多個國家的500多位藝術家的作品,涵蓋裝置藝術、影像藝術和現場表演。今年新增的「講述表演」展區將為觀眾帶來全新的藝術體驗。Art Basel’s sister fair, Art Central, shows work by more than 500 artists from over 40 countries, spanning installation, moving image and live performance. A new sector this year, Narrative Performance (「講述表演」), promises visitors something different again.

展覽訊息|InfoExhibition information

時間:2025年3月26日至30日;地點:香港中環海濱活動空間(Central Harbourfront Event Space)。Dates: 26 to 30 March 2025. Venue: Central Harbourfront Event Space, Hong Kong.

特別展區:「講述表演」展區以現場表演為核心,探索藝術與觀眾互動的新方式;「影像藝術」展區展示國際藝術家的短片與實驗影像作品。Special sectors: Narrative Performance puts live performance at its centre and explores new ways for art and audience to interact; the Moving Image sector shows short films and experimental video by international artists.

建築設計:展會場地採用標誌性的帳篷結構,結合維多利亞港的美景,營造獨特的藝術氛圍。Architecture: the fair’s signature tented structure, set against the views of Victoria Harbour, creates an atmosphere all its own.

藝術體驗:提供導覽、藝術家對話、工作坊等互動活動,讓觀眾深入了解藝術創作背後的故事。Experiences: guided tours, artist talks, workshops and other interactive events give visitors a closer look at the stories behind the work.

M+博物館《畢加索——與亞洲對話》展覽Picasso for Asia — A Conversation, at M+

展覽由M+與巴黎國立畢加索藝術館共同主辦,是該收藏首次與亞洲博物館藏品同場展示。展覽亦是十多年來首個在香港舉辦的大型畢加索展覽,以前所未有、獨一無二的視角探索畢加索無遠弗屆的影響力,以及在這個時代成為藝術家的意義。Co-organised by M+ and the Musée national Picasso-Paris, this is the first time that collection has been shown alongside the holdings of an Asian museum. It is also the first major Picasso exhibition in Hong Kong in more than a decade, taking an unprecedented and singular view of the artist’s far-reaching influence, and of what it means to be an artist in our own time.

展覽訊息|InfoExhibition information

時間:2025年3月15日至7月13日;地點:香港西九文化區M+博物館二樓西展廳。Dates: 15 March to 13 July 2025. Venue: West Gallery, Level 2, M+, West Kowloon Cultural District, Hong Kong.

跨文化對話:畢加索的作品與亞洲藝術家的創作並置展出,呈現東西方藝術的碰撞與融合。Cross-cultural dialogue: Picasso’s works are hung alongside those of Asian artists, showing where Eastern and Western art collide and where they merge.

經典作品:《雜技演員》(1930)、《海邊的人像》(1931)、《多拉·瑪爾肖像》(1937)。Key works: Acrobat (1930), Figures by the Sea (1931) and Portrait of Dora Maar (1937).

亞洲藝術家作品:展出M+館藏中來自亞洲及海外亞洲藝術家的作品,如陳福善、顧德新、田名網敬一等。Asian artists: works from the M+ collection by artists from Asia and the Asian diaspora, among them Luis Chan, Gu Dexin and Keiichi Tanaami.

特別策展:展覽分為四大主題——天才、局外人、魔法師與學徒,深入探討畢加索的藝術身份與影響力。Curatorial approach: the exhibition is organised around four themes — genius, outsider, magician and apprentice — examining Picasso’s artistic identity and his influence in depth.

香港,這座東西方文化交匯的「超級城市」,始終是全球藝術生態的核心節點。2025年的春天,香港再次以驚人的密度和多樣性,匯聚全球頂尖藝術力量。在這裏,讓我們一起領略中西方文化交融的魅力,一起感受時間與空間的永恆之美。Hong Kong, the super-city where the cultures of East and West meet, has always been a central node in the global art ecology. In the spring of 2025 it once again gathers the world’s leading artistic forces with astonishing density and variety. Come and take in the appeal of Chinese and Western cultures meeting — and the enduring beauty of time and space.

藝在漢源|文學藝術不分家Art at Han Yuan: literature and art belong together

作為走在香港前沿的專業中文教育機構,漢源的文藝氣質自不待言。尤為值得一提的是學校的戲劇教學。該系列課程不僅是對經典的解讀,更鼓勵學生進行劇本創作。內容囊括中外名著題材,為對藝術、對戲劇感興趣的學生提供創作平台,激發靈感源泉。As a specialist Chinese-language education centre working at the forefront of the field in Hong Kong, Han Yuan has a literary and artistic character that hardly needs stating. Our drama teaching is a case in point. This series of courses is not simply about interpreting classic texts: students are encouraged to write scripts of their own. Drawing on both Chinese and Western literature, it gives students with an interest in art and theatre a platform for their own writing and a source of inspiration.

戲劇教學・恆常班Drama teaching: regular classes

《廉頗藺相如列傳》The Biographies of Lian Po and Lin Xiangru

以銅為鏡,可以正衣冠;以古為鏡,可以知興替;以人為鏡,可以明得失。With bronze as a mirror, one can straighten one’s dress; with history as a mirror, one can understand the rise and fall of states; with people as a mirror, one can see one’s own gains and losses.

《廉頗藺相如列傳》講述趙國文武兩位大將之間發生的誤會糾葛。全文生動刻畫了廉頗、藺相如性格各異的人物形象,他們或耿直或忠厚,或魯莽或機智,形象鮮明生動。The Biographies of Lian Po and Lin Xiangru tells the story of the misunderstanding that grew up between the state of Zhao’s foremost general and its foremost minister. The text draws the two men vividly and quite differently — one blunt, one steady; one impetuous, one quick-witted — and both come off the page fully alive.

課程中,老師先帶領同學一起觀賞電影選段,觀察劇中人物動作神態,揣摩台詞深意,分析人物特徵。學生再開始動筆創作,生動的人物形象,精巧的情節構思躍然紙上。In class, the teacher first watches film excerpts with the students, looking closely at how the characters move and carry themselves, weighing the meaning behind the lines and analysing what each character is like. Only then do the students begin to write — and lively characters and carefully constructed plots take shape on the page.

漢源:講好歷史故事,古今皆精彩;講歷史好故事,經典永傳承。Han Yuan: tell history’s stories well, and past and present are equally alive; tell the good stories of history, and the classics are handed on.

《玩偶之家》A Doll’s House

《玩偶之家》是挪威戲劇家亨利克·易卜生創作的戲劇作品。該戲劇是一部典型的社會問題劇,主要圍繞過去被寵的女主人公娜拉的覺醒展開,最後以娜拉的出走結束全劇。A Doll’s House is a play by the Norwegian dramatist Henrik Ibsen. A classic problem play, it turns on the awakening of its heroine Nora, a woman who has always been indulged, and closes with her walking out of the family home.

學生在研讀劇本後,對劇中人物情節有深刻了解,老師將會引導學生進行《娜拉出走》後的劇本續寫。事實上,隨着時代變遷,對劇本中的人物的評價或結局,每個人的看法都有所不同。學生可以發散思維,頭腦風暴,續寫不一樣的結局。Once students have studied the script and understand its characters and plot in depth, the teacher guides them in writing a continuation of the story after Nora leaves. As times change, readers judge the characters and their fates differently, and students are free to think laterally, brainstorm, and write an ending of their own.

《雷雨》Thunderstorm

《雷雨》是中國現代劇作家曹禺的處女作,其背景是民國時期的天津。《雷雨》已於2025年3月登陸香港,在文藝界引起了巨大反響。Thunderstorm was the first play written by the modern Chinese dramatist Cao Yu, set in Tianjin during the Republican era. It came to Hong Kong in March 2025 and made a considerable impression on the arts scene here.

學生將深刻掌握全劇梗概,深入剖析人物間的關係與性格特徵,並加深對劇本設計的理解;亦能條理清晰地分析劇中環境、道具及矛盾衝突的表現與作用。Students come away with a firm grasp of the whole plot, a close reading of the relationships and personalities in it, and a better understanding of how a script is constructed; they also learn to set out clearly how setting, props and dramatic conflict work and what they are for.

戲劇教學・暑期班Drama teaching: summer classes

《歲月神偷》Echoes of the Rainbow

這部獲得第29屆香港電影金像獎多項獎項的電影作品值得人們反覆研習觀摩。電影選材貼近生活,拍攝地點更選取學生耳熟能詳的學校——拔萃男書院和聖士提反書院。A multiple winner at the 29th Hong Kong Film Awards, this film repays repeated viewing and study. Its subject matter is close to everyday life, and it was shot at schools our students know well — Diocesan Boys’ School and St. Stephen’s College.

劇中多金句台詞,在演戲劇本中更能感受到編劇的文學底蘊。例如:The film is full of memorable lines, and working through the script in performance makes the screenwriter’s literary sensibility clearer still. For example:

1. 鞋字,一半難,一半佳;難一步,佳一步。1. Half of the character for “shoe” (鞋) is hardship and half is good fortune: one hard step, one good step.

2. 魚是最快樂的,因為它的記憶只有三秒鐘。2. Fish are the happiest creatures, because their memory lasts only three seconds.

3. 做人,最緊要係保住個頂。3. In life, the most important thing is to keep a roof over your head.

學生在感受電影劇本台詞精妙之餘,還能重寫劇本,重現人物高光時刻。Besides appreciating how finely the film’s lines are written, students rewrite the script and stage the characters’ defining moments again for themselves.

三打白骨精Three Strikes Against the White Bone Demon

《西遊記》作為中國四大名著之一,無論是電影還是動漫,都反覆被搬上熒幕,供觀眾們欣賞。Journey to the West (《西遊記》), one of the four great classical Chinese novels, has been brought to the screen again and again in film and animation.

暑期課程中這一劇本寫作吸引了眾多學生目光。大家對三打白骨精這一情節印象深刻,紛紛化身小編劇,理清框架,精進台詞,豐富舞台說明。種種操作之後,屬於學生的獨一無二的劇本便躍然紙上。This scriptwriting unit is a great favourite in the summer programme. The episode of the three strikes against the White Bone Demon stays with students, and they all turn playwright — sorting out the structure, sharpening the dialogue, filling in the stage directions. After all that work, a script that is entirely their own takes shape on the page.

相關課程Related course
了解中小學中文培優課程Explore Primary & Secondary Chinese返回老師專欄Back to the Column