跟着文學作品逛中國——亭台樓閣篇 | 老師專欄

文字勾勒建築之美，描繪匠心獨運；腳步丈量雕樑畫棟，感受古韻今風。Words trace the beauty of buildings and the ingenuity behind them; footsteps measure carved beams and painted rafters, and feel the old rhythms still alive today.

This article was originally written in Traditional Chinese. The English translation is provided for reference only.

蘇軾在《水調歌頭·丙辰中秋》中寫道：「但願人長久，千里共嬋娟。」Su Shi wrote in To the tune Shuidiao Getou: Mid-Autumn of the Bingchen Year (《水調歌頭·丙辰中秋》): “May we live long, and share this beautiful moon a thousand miles apart.”

古代文人常在亭台樓閣中賞月抒懷，留下了眾多千古絕唱。在那個年代，亭台樓閣不僅是建築，更是文人墨客寄託情思的精神家園。Writers in imperial China often watched the moon and poured out their feelings from a pavilion, a terrace or an upper storey, leaving behind works that have lasted for centuries. In their day these structures were not merely buildings, but places of the spirit where a writer could lodge his deepest feelings.

今天，這些建築依然靜靜矗立，見證着歲月流轉。讓我們通過文學作品，細細品味中國傳統建築的獨特魅力。Today these buildings still stand quietly, witnesses to the passing years. Let us look through literature at what makes traditional Chinese architecture so distinctive.

亭The Pavilion (亭)

亭，是詩人吟詠的驛站；亭，是文人雅士的歇腳處；亭，更是風雅文化的象徵。The pavilion is a way station for the poet's song; the pavilion is where scholars and gentlemen rest their feet; the pavilion is, above all, a symbol of refined culture.

蘇軾在《飲湖上初晴後雨》中寫道：Su Shi wrote in Drinking on the Lake as It Clears and Then Rains (《飲湖上初晴後雨》):

「水光瀲灩晴方好，山色空濛雨亦奇。」“The shimmering water is at its best in fine weather; the hills veiled in haze are just as wondrous in the rain.”

這首詩描繪了西湖湖心亭周圍的迷人景色。The poem captures the enchanting scenery around Mid-Lake Pavilion on the West Lake.

范仲淹在《嚴州西湖》中寫道：Fan Zhongyan wrote in West Lake at Yanzhou (《嚴州西湖》):

「煙波千頃雨初晴，亭影臨流畫面成。」“A thousand acres of misty water as the rain first clears; the pavilion's reflection on the current completes the picture.”

展現了亭與山水的完美融合。It shows how perfectly a pavilion can merge with the landscape around it.

台The Terrace (台)

台，是觀景的制高點；台，是傳説的承載地；台，更是洞見古今的感懷場。The terrace is the high point from which a view is taken; the terrace is where legends are held; the terrace is, above all, a place to look across past and present and feel their weight.

宋玉《登徒子好色賦》：Song Yu, in Rhapsody on the Lechery of Master Dengtu (《登徒子好色賦》):

「臨高台而不能安。」“Standing on the high terrace, he could find no peace.”

展現了古人對高台的獨特情感。The line reveals the particular feeling the ancients held for high terraces.

李白在《登金陵鳳凰台》中寫道：Li Bai wrote in Ascending Phoenix Terrace at Jinling (《登金陵鳳凰台》):

「鳳凰台上鳳凰遊，鳳去台空江自流。」“Phoenixes once roamed on Phoenix Terrace; the phoenixes are gone, the terrace is empty, and the river flows on alone.”

描繪了建築與自然的和諧之美。It paints the harmony between a building and the natural world.

樓閣Towers and Halls (樓閣)

樓閣，是城市的地標；樓閣，是文化的象徵；樓閣，更是歷史的見證者。The tower is a city's landmark; the tower is a symbol of its culture; the tower is, above all, a witness to history.

崔顥《黃鶴樓》：Cui Hao, Yellow Crane Tower (《黃鶴樓》):

「昔人已乘黃鶴去，此地空餘黃鶴樓。」“The one who came before has ridden the yellow crane away; all that is left here is Yellow Crane Tower.”

詩中道出了對歷史滄桑的感慨。The poem gives voice to a sense of how much history has swept away.

范仲淹《岳陽樓記》：Fan Zhongyan, Record of Yueyang Tower (《岳陽樓記》):

「慶曆四年春，滕子京謫守巴陵郡。越明年，政通人和，百廢具興。」“In the spring of the fourth year of the Qingli reign, Teng Zijing was demoted to govern Baling Prefecture. By the following year the administration ran smoothly, the people were at ease, and all that had fallen into neglect was revived.”

展現了這座千古名樓的壯麗與氣魄。It conveys the grandeur and spirit of this celebrated tower.

王勃《滕王閣序》：Wang Bo, Preface to the Pavilion of Prince Teng (《滕王閣序》):

「落霞與孤鶩齊飛，秋水共長天一色。」“The setting glow and a lone wild duck fly together; the autumn waters and the boundless sky share a single colour.”

勾勒出壯美的自然景觀。The line sketches a landscape of magnificent beauty.

小結In closing

亭台樓閣是中國傳統建築藝術的精髓，是文人墨客寄託情思的載體。在文學作品中，這些建築既是實體的存在，又承載着深厚的文化內涵。它們不僅見證了歷史的變遷，更積澱了深遠的文化底藴，成為了中華文明的重要組成部分。Pavilions, terraces and towers are the essence of traditional Chinese architecture, and the vessels in which writers lodged their feelings. In literature they exist both as physical structures and as carriers of deep cultural meaning. They have not only witnessed the turns of history but accumulated a far-reaching cultural depth, and have become an important part of Chinese civilisation.

跟着文學作品逛中國——亭台樓閣篇Touring China Through Literature: Pavilions, Terraces and Towers

亭The Pavilion (亭)

台The Terrace (台)

樓閣Towers and Halls (樓閣)

小結In closing